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Leah began to learn violin shortly before the age of 4. Playing in orchestras and string ensembles centred around the musical tastes of teacher Midge Peel and the Suzuki Method, the majority of her musical ability was compiled with influences such as Bach, Seitz, Vivaldi, and a mash up of baroke composers. She has a fairly keen ear when on the jam scene and though she sings on occasion, has yet to do so publicly. Leah has a frightening collection of stringed instruments including: round-backed mandolin, autoharp, multiple violins, dulcimers, and guitars, a collection which only continues to expand.
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Leah began to learn violin shortly before the age of 4. Playing in orchestras and string ensembles centred around the musical tastes of teacher Midge Peel and the Suzuki Method, the majority of her musical ability was compiled with influences such as Bach, Seitz, Vivaldi, and a mash up of baroke composers. She has a fairly keen ear when on the jam scene and though she sings on occasion, has yet to do so publicly. Leah has a frightening collection of stringed instruments including: round-backed mandolin, autoharp, multiple violins, dulcimers, and guitars - a collection which only continues to expand.

Revision as of 18:18, 17 February 2010

Leah began to learn violin shortly before the age of 4. Playing in orchestras and string ensembles centred around the musical tastes of teacher Midge Peel and the Suzuki Method, the majority of her musical ability was compiled with influences such as Bach, Seitz, Vivaldi, and a mash up of baroke composers. She has a fairly keen ear when on the jam scene and though she sings on occasion, has yet to do so publicly. Leah has a frightening collection of stringed instruments including: round-backed mandolin, autoharp, multiple violins, dulcimers, and guitars - a collection which only continues to expand.